Rochefort-en-Terre

They say the world is going to end today.

Or not. Sometimes it is hard to know who or what to believe.


Turn on the juice! Geneva 2007.

Just kidding. While some members of the tinfoil hat society believe that our friends at CERN are going to kill us all by unleashing a microscopic black hole in Geneva, those of us in the know have no fear. Of course this is a great moment in science as well as for Europe. After all CERN is doing what we in the United States chose not to: build the world’s largest particle accelerator. With this amazing tool we will push back the limits of human knowledge and it came together through the cooperation and vision of dozens of nations around the world, most of them located in Europe. It’s a great day for science!

Rochefort-en-Terre

One of the nicest ways to get to know a place is to walk. Perhaps it comes from having grown up in New York, that most walkable of cities, but I do enjoy spending time on the streets of whatever city or town I happen to be in. Rochefort-en-Terre is no exception and I have spent much of the past ten days, weather permitting, strolling around this idyllic medieval village. And since we are such good friends you get to see some of the fruits of my labor, enjoy!


Signs. © Damaso Reyes



Rocherfort-en-Terre. © Damaso Reyes



The Chateau. © Damaso Reyes



Local delicacies. © Damaso Reyes



Timeless. © Damaso Reyes



Going home. © Damaso Reyes

Rochefort-en-Terre

Just cruising around France, don’t mind me! Please enjoy your HCB Quote of the Week!


Stairway to heaven. Rochefort-en-Terre, France 2008 © Damaso Reyes


Only a fraction of the camera's possibilities interests me - the marvelous mixture of emotion and geometry, together in a single instant. - Henri Cartier-Bresson

Rochefort-en-Terre

The rain is hiding the sun here in France and there are demographic clouds on the horizon for the European Union as well. Eurostat recently released a study which finds that the soon death rate in the E.U. will surpass the birth rate. In just seven years, as we read in this article, the long predicted population decline will begin in earnest.


The writing on the wall in Vienna’s old Jewish cemetery. Austria 2008

Now just how Europe deals with this issue is a subject of some debate. Clearly immigration is one solution but Europe; especially western Europe, is struggling with how to integrate those immigrants already in its boarders and reactionary right-wing politicians in nations from The Netherlands to Switzerland are calling for a halt to immigration all together.

Will Europeans answer the call of nature and get busy? Perhaps. If not the epitaph of Europe may already be written…

Rochefort-en-Terre



I have spent the past few days exploring the lovely town that I will be staying at for the next three weeks. Most, if not all of the homes are at least a few hundred years old, a perfect example of how Europe’s history is literally embodied in its towns and cities.


Lost in time. © Damaso Reyes

As much as I like photographing landscapes I do plan on photographing more of the people who make this town and region so special! In the meantime, please enjoy some images…


Flora and fauna. © Damaso Reyes


Green and black. © Damaso Reyes


Home of God and home of man. © Damaso Reyes


Renew, Reuse & Recycle! © Damaso Reyes


Red and white. © Damaso Reyes

Rochefort-en-Terre


Greetings from France! Sorry it has taken me so long to post, but it was a long flight and train ride to get here to Rochefort-en-Terre. Of course it was totally worth it. Brittany is amazing and I actually managed to get over to the coast and shoot a few images of the landscape and the oyster and mussel pickers. Whole families go out on the weekends to pick these bivalve delicacies!


The coast. © Damaso Reyes

Rochefort itself is a lovely small town straight out of the Middle Ages. I promise to grab some shots for you once the rain stops (it might take a while). In the meantime enjoy some images from the coast!


Picking oysters in Brittany. © Damaso Reyes


No sand, only shells. © Damaso Reyes


Low tide. © Damaso Reyes

Brooklyn


Today I am off to France and Rochefort-en-Terre! I will leave shortly but just wanted to let all you in New York know that I will miss you but of course you can stay up to date on my adventures by tuning in right here! See you soon…


La belle France! 2007 © Damaso Reyes

Brooklyn


Just two days to go until I take off for France and of course I have too much to do. But of course the news never stops and if you have some time check out this interesting article about the E.U.’s response to the conflict between Russia and Georgia, I feel it nicely sums up the issues:

“The E.U. always has trouble speaking with a single voice,” said Charles Kupchan, a senior fellow at the Council on Foreign Relations and professor of international affairs at Georgetown University. “It will find consensus all the more difficult in this crisis. In Central Europe there’s a sense that we told you so, Russia is again an aggressor state. And in Western Europe there is a much more complicated view of the war in Georgia and an unwillingness to jump to the conclusion that it’s time to man the barricades and contain Russia.”


What to do, what to do? Kosovo 2005 © Damaso Reyes

The next few years will no doubt bring many similar foreign policy and military challenges. The question of course is just how the European Union’s member states will choose to deal with them…

Brooklyn


As much as people take photography, and the work that photojournalists do for granted, the impact that our images have on the way people remember and interpret history is profound. This year marks the 40th anniversary of the Soviet invasion of Czechoslovakia and the events in Georgia are a stark reminder of the ways in which history repeats itself.

There is a great article in The Guardian about the Czech photographer Josef Koudelka who documented the Soviet invasion and its aftermath providing the entire world with some of the few images of what happened. Risking his life he took more than 5,000 images in one week of the invasion of Prague and smuggled the images out.

“The previously unseen images, though, are powerful for different reasons. They provide a unique visual record of 20th century history as it unfolded, an event of incredible emotional and political intensity that lasted a week yet changed the course of a nation for two decades afterwards. In one brilliantly composed image after another, Koudelka has also captured the energy of mass protest like no one before or since, an energy that flared from angry disbelief into violent protest and then faded just as suddenly. 'When I look at these pictures now, I can't believe I did them. Magnum could not believe it was the work of one photographer. I was everywhere because everywhere I looked in those seven days there is another photograph waiting for me. I did not have time to even think about the danger.'”


Who will watch the watchmen? Kosovo 2005 © Damaso Reyes

While everyone may have a camera, or camera phone, not everyone can be a photojournalist…

Brooklyn


It’s my last weekend in New York and as you can imagine I am super busy! Yesterday also would have been the 100th birthday of HCB. It is hard to understate the impact he has had on photography. I have felt his reach in my own work, especially as I travel throughout Europe. Happy birthday big guy!


Remembrance of things past. Berlin 2007 © Damaso Reyes


For a subject to be strong enough to be worth photographing, the relationship of its forms must be rigorously established. Composition starts when you situate your camera in space in relation to the object. For me, photography is the exploration in reality of the rhythm of surfaces, lines, or values; the eye carves out its subject, and the camera has only to do its work. That work is simply to print the eye’s decision on film. - Henri Cartier-Bresson

Brooklyn

If you haven’t checked The Guardian there is a great unconventional story about immigration. We’ve all heard about how Western Europe needs immigration to deal with its declining birthrate and all that jazz but of course one of the things people fear is the loss of culture and national identity. Well Steven Wells argues that immigration can help save and even infuse rock culture. Here’s a taste:



Where is everybody? Stuttgart 2007 © Damaso Reyes

“Meanwhile, the developing world is bursting at the seams with babies, toddlers and teenagers, many of whom would love to come to the West but can't because of bizarre racist immigration policies and the absurd and morally and intellectually indefensible (not to mention anti-democratic and anti-free enterprise) notion that workers shouldn't be allowed to live anywhere in the world they damn well please.

“The solution is obvious. The West needs immigration like the deserts need the rain. To stave off cultural brain death and save rock'n'roll we must throw open the floodgates of immigration. By doing so, the young will once again outnumber the nearly dead - totally revitalizing music and providing "us" with a new generation of both avant garde artists and audiences for avant garde art. Music in particular would experience the dizzying and exhilarating rush of input from dozens of other cultures, hopefully drowning out the dull, smug, self-referential, post-Smiths indie/hipster monoculture once and for all.”

That’s hot…

Brooklyn


Sometimes we need to look at the past to understand what is possible. When we think of documentary photojournalism sometimes we spend more time thinking about Flickr and iPhone cameras than of what is possible when well trained artists do their job well.


Let us now praise famous men. Berlin 2006 © Damaso Reyes


A great documentary, highlighted in this article, seeks to remind viewers of what an important role photography plays in our conception of ourselves. “Documenting the Face of America: Roy Stryker and the F.S.A./O.W.I. Photographers,” provides an important insight into how the American government of all institutions used photography to highlight the impact of the Great Depression on ordinary people.

Many of the images you will see in this film inspired my own career and belief that images can make a difference. Check it out!

Brooklyn

So the time is ticking away until I head to France and of course I have more on my plate than I can handle. So I might not be blogging quite as much as normal but have no fear, at least they will be interesting posts.

I was on the New York Times website and there was a fascinating article about how ordinary people are using Photoshop to change their personal photographs.

“REMOVING her ex-husband from more than a decade of memories may take a lifetime for Laura Horn, a police emergency dispatcher in Rochester. But removing him from a dozen years of vacation photographs took only hours, with some deft mouse work from a willing friend who was proficient in Photoshop, the popular digital-image editing program.

Like a Stalin-era technician in the Kremlin removing all traces of an out-of-favor official from state photos, the friend erased the husband from numerous cherished pictures taken on cruises and at Caribbean cottages, where he had been standing alongside Ms. Horn, now 50, and other traveling companions.

“In my own reality, I know that these things did happen,” Ms. Horn said. But “without him in them, I can display them. I can look at those pictures and think of the laughter we were sharing, the places we went to.”

“This new reality,” she added, “is a lot more pleasant.”


I see what you did there… © Damaso Reyes

One of the challenges we photojournalists face is to accurately (however you define it) portray the world and people around us. While it is not true, people have believed that photography, especially photojournalism does this. But now people are rewriting and recreating their own lives. What does this do to the way we see the world?

When we lose our faith in the veracity of the image, or at least the idea that photographs are by default honest representations of our world, will we believe the images that show us parts of the world we would rather not see like atrocity or injustice?

Clearly our relationship to the image has evolved with the medium but I do feel like we are nearing a watershed moment where we will have ubiquitous access to imagery because of mobile phone cameras and the internet and at the same time not believe most of the photographs we see.

As someone who works to expose what we often ignore I can’t help but feel a little nervous!

Brooklyn


For those of you counting it is just two weeks until I head to France! I am as excited as you are to get back to shooting but there is a LOT to do between now and then. So I will get back to it but enjoy your HCB Quote of the Week!



Structure and form. Paris 2007 © Damaso Reyes


The picture is good or not from the moment it was caught in the camera. - Henri Cartier-Bresson

Brooklyn

If you have time check out this super interesting article about a scientist who has developed a genetic map of Europe.



“The genetic map of Europe bears a clear structural similarity to the geographic map. The major genetic differences are between populations of the north and south (the vertical axis of the map shows north-south differences, the horizontal axis those of east-west). The area assigned to each population reflects the amount of genetic variation in it.”

What I find interesting about this is that a map like this could be a thing of the past in another few generations as more and more Europeans move about the Union and marry each other and intermingle those so called “pure” bloodlines.

What about you? Are you of mixed heritage? Where do you fall on this map?