Tuesday, October 2, 2007, 15:55 - TravelStuttgart
So I arrived back in Solitude yesterday after a nice train ride from Berlin. Some of the faces have changed since July but the house remains as I left it, warm and inviting and I have already managed a short walk in the woods! I am very happy to be back in this environment after a busy two months in Berlin. I hope the next two months will be productive, if a bit slower. I am still debating whether or not to head over to Munich later this week to catch the end of Oktoberfest, let me know what you think I should do. Tomorrow I will head to the sauna for some much needed rest and relaxation!
Back to basics. © Damaso Reyes
| 0 trackbacks | ( 3.1 / 669 )
Saturday, September 29, 2007, 12:37 - CommentaryBerlin
Just two more days in the Hauptstadt! I will try to make the most of them and see a few galleries and museums, hopefully the weather will cooperate. Here is our latest quote of the week, enjoy!
Remains of the war, Kosovo 2005. © Damaso Reyes
“As photojournalists we supply information to a world that is overwhelmed with preoccupations and full of people who need the company of images....We pass judgment on what we see, and this involves an enormous responsibility,” Henri Cartier-Bresson, "American Photo", September/October 1997, page: 77
| 0 trackbacks | ( 3 / 724 )
Thursday, September 27, 2007, 14:52 - CommentaryBerlin
One more day left at Vanity Fair! It is amazing how quickly these last two months have gone by. The past few weeks I have been slaving away, trying to wrap up two articles for the magazine before I head back down to Stuttgart. You will be happy to know that I am indeed all done, let’s keep our fingers crossed that they survive the editing process.
The Gate. © Damaso Reyes
Now my attention is beginning to focus on the next two months, and they will be quite busy indeed. I am pondering a quick trip down to Munich for Oktoberfest. Next month will also see my first trip to Paris where I will serve on the jury of a small photography festival. I also have plans to head to Heidelberg and spend some time at the National Cancer Institute. And somewhere in there I have to find some time to process and scan all the film I shot these past two months not to mention update my website! So don’t be surprised if I am only blogging once or twice a week, I will be busy making the most of my remaining time here in the Federal Republic.
I am a bit sad to be leaving Berlin, I feel like I barely had much time to explore the city, but I am looking forward to returning whenever I can over the next few years. Even as much as I have traveling around Germany I still feel there is a lot more to discover, especially in the east, but then again I feel that way about Europe in general. The next two months should be very productive but I also want to carve out some time towards the end for some reflection on the past year.
| 0 trackbacks | ( 3 / 679 )
Tuesday, September 25, 2007, 15:49 - ShootingBerlin
Yesterday I went back to Abraham Geiger College, the only Rabbinical School in German and met with Adrian Michael Schell, who is training to be a rabbi there. Last year the school graduated its first class of rabbis, something very special considering Germany’s history. After reading about it last year I thought that it would be interesting to do a story on it and over the past few weeks I met with the rector of the College as well as a few students including Adrian.
Adrian. © Damaso Reyes
The face of Judaism in Germany since the Holocaust is a very interesting and I am looking forward to learning more about it. But since the fall of the Soviet Union, a large number of Russian Jews have come to German, changing the demographics of Judaism here while at the same time growing the community. Adrian is a convert himself, someone who came to the religion after research and intense soul searching. Next month he will deliver a sermon for the first time and I will hopefully join him and document it. Stay tuned for more developments…
| 0 trackbacks | ( 2.9 / 742 )
Saturday, September 22, 2007, 15:55 - CommentaryBerlin
'Manufactured' or staged photography does not concern me. And if I make a judgment, it can only be on a psychological or sociological level. There are those who take photographs arranged beforehand and those who go out to discover the image and seize it. For me, the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which - in visual terms - questions and decides simultaneously. In order to "give a meaning" to the world, one has to feel oneself involved in what he frames through the viewfinder. This attitude requires concentration, a discipline of mind, sensitivity, and a sense of geometry. It is by great economy of means that one arrives at simplicity of expression. One must always take photos with the greatest respect for the subject and for oneself. -Henri Cartier-Bresson
Kosovo 2005 © Damaso Reyes
| 0 trackbacks | ( 3 / 640 )
Wednesday, September 19, 2007, 15:47 - CommentaryBerlin
I had no idea but it seems that Belgium is having some problems. The Walloons and the Flemish are not happy with each other at all. Apparently the Dutch speakers have had enough and want to break up the marriage. The French speaking Walloons say non.
Hard to believe that they are still fighting about the divisions in a nation created in 1830! I mean that is longer than Italy has existed, you would think that at a certain point they would get it together and say “sure we’re different but we’re Belgian.” Apparently not. You can read all about it at the New York Times.
This is exactly why I am working on this project. If the Belgians can’t get along in their tiny country what hopes are there of building something resembling a European Identity? I can only hope that somehow photographs can bring people together….
| 0 trackbacks | ( 3 / 611 )
Tuesday, September 18, 2007, 12:34 - EventsBerlin
I suppose good things do come to those who wait, but then again I am a big fan of clichés! My article about New York artists moving to Berlin has finally been published! I tried to get Vanity Fair interested but they passed. Fortunately for me the Burns network acted fast and my friend Allison introduced me to an editor at Der Spiegel Online. He read the story and gave it a thumbs up. You can read it here; let me know what you think…
Art for Art's Sake © Damaso Reyes
Sunday, September 16, 2007, 15:25 - TravelLeipzig
The View from a bridge. © Damaso Reyes
Well it has been a busy two and a half days here in Dresden and Leipzig! It was great to meet up with the other Burns fellows here in Germany, some of whom I hadn’t seen since July. Our time here in the east has been both social and educational but fun all throughout.
History, remade. © Damaso Reyes
Sword and Shield of the Party. © Damaso Reyes
On Friday afternoon we met with a representative of the Stasi archives, Michael Beleites. The Ministry for State Security, as the German secret police were known has files on a huge percentage of the East German population and when the East German government finally collapsed there was a great deal of discussion about what to do with the millions of files that the Stasi has not managed to destroy. A law was finally passed which allowed people to view their own Stasi file and learn who was informing on them and how their lives had been affected by the state. Nearly twenty years later people are still applying to view their files and the historians are still working to piece together those files which had been partially destroyed.
Later that day we went further back into German history and visited the Green Vault, one of Europe’s most amazing treasure chambers.
Saturday brought us to Leipzig by train where we heard singing in one of the city’s historic churches and then went to the Leipziger Baumwollspnnerei, an old textile mill which has been converted into shops and artists studios. While wandering around I stumbled into the workshop of Philipp Neumann, a young German guitar maker. His innovative handcrafted masterpieces have a sounds that has to be heard in order to believe and luckily for me two master guitarists happened to be in his studio and playing. I spent about an hour drinking wine, photographing and listening to great music. A tough life, I know but I am willing to make certain sacrifices for my work!
Philipp, master guitar maker. © Damaso Reyes
Herr Jochen shares his passion. © Damaso Reyes
To wrap this up today we had a tour of the Museum in der “Runden Ecke” which was the Stasi headquarters in Leipzig. It was incredible to hear about how they operated in the very building we were standing in, less than twenty years ago. We saw the equipment the used and how they systematically observed and oppressed the East German people. It is a true wake up call for those who might be tempted to glamorize that period in history.
Father of the Revolution. © Damaso Reyes
Inside the house of terror. © Damaso Reyes
The Map. © Damaso Reyes
Prison Cell. © Damaso Reyes
No place you wanted to be. © Damaso Reyes
This week will be quite busy for me as I try to wrap up a few stories that I have been working on for Vanity Fair. I only have two weeks left in Berlin and I will try to make the most of them!
| 0 trackbacks | ( 3 / 662 )
Saturday, September 15, 2007, 14:47 - CommentaryDresden
Greetings! Even though I am traveling I wouldn't want you too miss the quote of the week...
Holocaust Memorial, Berlin 2007
To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event, as well as of a precise organization of forms which give that event its proper expression. I believe that through the act of living, the discovery of oneself is made concurrently with the discovery of the world around us which can mould us, but which can also be affected by us.
A balance must be established between these two worlds- the one inside us and the one outside us. As the result of a constant reciprocal process, both these worlds come to form a single one. And it is this world that we must communicate. But this takes care only of the content of the picture. For me, content cannot be separated from form. By form, I mean the rigorous organization of the interplay of surfaces, lines and values. It is in this organization alone that our conceptions and emotions become concrete and communicable. In photography, visual organisation can stem only from a developed instinct. -Henri Cartier-Bresson
| 0 trackbacks | ( 3 / 585 )
Thursday, September 13, 2007, 14:48 - TravelBerlin
Tomorrow I head out with the other American Burnsies to Dresden, where we will have our midterm meeting. It is a chance for us to talk about our fellowships, compare notes and make suggestions. We will also have a chance to see a bit of Eastern Germany and the city made famous in Slaughterhouse V. So I will catch up with you guys over the weekend and let you know how everything went…
No time for sleep, Dresden is waiting! © Damaso Reyes
| 0 trackbacks | ( 3 / 641 )
Wednesday, September 12, 2007, 15:17 - CommentaryBerlin
While I was doing some research online at work I came across this headline: Dollar hits fresh 15-year low. You can read all about it here and here but it basically boils down to: since Damaso has been getting his fellowship money in dollars he is S.O.L. Boy, I can’t wait to get back to Solitude and those wonderful Euros they give me there.
What it's all about....
But it does raise a real issue. Basically I am going to have to start making my money in Euros instead of dollars. Think about it: when I make $1000 back in New York and then hope on a plane to Berlin or Rome it is only worth about €720. Once I land I am nearly 40% poorer! And trust me things are not cheaper here in Europe, beer being a notable and delicious exception!
So, as they say here in Germany, or would say if they were me, ich muss das Geld finden! Feel free to help out, suggestions are welcome! Maybe write a letter to the Treasury Sec? Light a little bit of a fire under him to DO something? Just a thought….
| 0 trackbacks | ( 3 / 599 )
Tuesday, September 11, 2007, 15:04 - CommentaryBerlin
It’s hard to believe that it has been six years…
The day after. © Damaso Reyes
For the first time since that terrible day, the 11th of September falls on a Tuesday, the same day of the week the attacks took place. It was a warm, bright and clear morning. The night before I was up late at a party for a newspaper and went to bed with few worries.
The view from Chinatown. © Damaso Reyes
Walking across the Manhattan Bridge after hitching a ride to the Brooklyn waterfront, I saw most of lower Manhattan covered in smoke. One of the first things I noticed when I got to the other side, and that which would linger with me the longest, was the smell. An acrid mixture of melted rubber, concrete and humanity, a smell lingered over New York for weeks. Heading down towards what would become known as Ground Zero I soon became covered in a fine, and then thicker coat of dust.
Walking towards the ruins. © Damaso Reyes
Before leaving home I wondered for a while about whether or not I should go and take photographs. In less than a minute I came to the conclusion that of course I should, I’m a photographer, this is what I do. I wasn’t excited, more like resigned. I shot that day for about ten hours. And photographed for another five days. And then I stopped.
A fireman. © Damaso Reyes
The flames continued. © Damaso Reyes
For me New York isn’t and wasn’t just a place, it was and is my home, my birthplace. The towers were older than I was and I fully expected then to be around long after I was gone. I have photographed them inside and out. I especially enjoyed going to the top of one of the towers to the rooftop observation deck. I remember the first time I went up the Towers as a child and remembering that the cars looked like toys. And then they lay in ruins.
Grief. © Damaso Reyes
I suppose that day taught me that nothing is permanent. I also knew that on that day my country would start on a path that was ill-advised: revenge. What happened six years ago can’t be avenged; the dead will never be satisfied. In those six years my government has killed many, many more and for what?
Missing. © Damaso Reyes
In the past six years I have traveled back to Rwanda, lived in Indonesia, gone to Tanzania and begun work on The Europeans. Thankfully I haven’t been witness to anything as horrible as that day in September but I have seen a thousand smaller horrors. Yet my faith in humanity remains. I know we can do better, I know that we can live together and I believe that we will. The only question is how many of us have to die before that happens.
Peace. © Damaso Reyes
| 0 trackbacks | ( 3 / 629 )
Sunday, September 9, 2007, 15:23 - CommentaryBerlin
Can’t you see I’m working? Seriously I just realized a few days ago that the deadline for the Guggenheim Fellowship is at the end of the week so I am spending the better part of today, which of course happens to be one of the few nice days we’ve had in a while, revamping my proposal. Let’s hope that they are suitably impressed!
So I have decided to start a little regular feature called HCB’s quote of the week. HCB is of course Henri Cartier-Bresson, considered one of the fathers of modern photojournalism. While doing research for a story I am writing about Leica I came across several of his quotations which are very illuminating and often very funny, enjoy!
HCB behind the Leica.
“Of all the means of expression, photography is the only one that fixes a precise moment in time. We play with subjects that disappear; and when they’re gone, it’s impossible to bring them back to life. We can’t alter our subject afterward.... Writers can reflect before they put words on paper.... As photographers, we don’t have the luxury of this reflective time....We can’t redo our shoot once we’re back at the hotel. Our job consists of observing reality with help of our camera (which serves as a kind of sketchbook), of fixing reality in a moment, but not manipulating it, neither during the shoot nor in the darkroom later on. These types of manipulation are always noticed by anyone with a good eye.” -Henri Cartier-Bresson, "American Photo", September/October 1997, page: 76
| 0 trackbacks | ( 3 / 600 )
Friday, September 7, 2007, 21:21 - Project NewsBerlin
So what is it I do all day?
It’s hard to put into words, but don’t worry, I am keeping busy, mostly working on articles and looking glamorous at the Vanity Fair offices. Hard to believe that I am half way done but it’s true!
In any event, lest you think that my star has risen too high, Jimmie and I cannot for the life of us find a news organization to support our application to the Pulitzer Center to go to Kosovo. Hard to believe I know but it is starting to drive me a little nuts. As much as editors complain that they can’t find good stories here we are like the pretty girl at the bar, waiting for someone to notice us. So if you know some editors, feel free to pull some strings. Check out the proposal below…
Domestic Violence Survivor. Kosovo, 2005
The Legacy of Rape
In 1989, when the Serbian government revoked Kosovo's status as an autonomous province within the Socialist Federal Republic of Yugoslavia, political analysts and activists in that country and abroad anticipated deterioration. The danger became more apparent with each passing year, even though the wars that engulfed the other parts of the former Yugoslavia did not spill over into Kosovo. By late 1996, a previously unknown guerrilla group called the Kosovo Liberation Army (KLA) began coordinating attacks against the Serbian police. Faced with limited options at that point, the West chose military action by NATO in 1999. Taking advantage of the NATO bombing, Serbian and Yugoslav forces "ethnically cleansed" more than 850,000 Kosovar Albanians, and killed thousands more. The NATO bombing eventually forced government troops out of the province, but not before serious war crimes had been committed-atrocities which continue to poison Kosovo's post-war environment, including rape and sexual violence.
Writer Jimmie Briggs and photojournalist Damaso Reyes are proposing a feature article on the post-war legacy of rape in Kosovo and the struggle for female survivors to achieve legal justice for their attacks. Of late, the overwhelming majority of media attention on Kosovo deals with the quest for independence from Serbia, but for Kosovar women there are more pressing issues. Many who survived attacks during the war do not want to report the rapes for a variety of reasons. Some women victims of rape expressed fear that they would never be able to marry. Others felt terrified that they would be shunned by society. Many women have expressed anger at their attackers and willingness to testify at the International Criminal Tribunal for the Former Yugoslavia (ICTY). That willingness to testify is tempered by fear that their attackers may still be at large in Kosovo, or that they may return.
The piece which we are proposing will be built around the personal struggles and professional efforts of those in the legal rights community working on behalf of justice for women survivors. For women willing to testify, issues of witness protection and support loom large. Once open conflict broke out, the jurisdiction of the ICTY over Kosovo began. As they tried to ethnically cleanse Kosovo, paramilitaries often aided by masked Serb neighbors systematically searched villages for girls of prime, child-bearing age. It is estimated by the World Health Organization and the US Centers for Disease Control that as many as 20,000 Kosovar women (4.4 per cent of the population) were raped in the two years prior to NATO forces entering. Unlike Bosnia, where international organizations were located throughout the war, the Kosovar province was on its own. We hope that through this story we can begin to shed light on the challenges that Kosovo’s women face as the province moves towards independence.
Monday, September 3, 2007, 15:31 - Travel, CommentaryKassel
Is modernity our antiquity?
What is bare life?
What is to be done?
These are the three questions that the curators and organizers of Documenta 12 say the show is organized around. I think you can guess what my response was.
Stuffed Giraffe anyone? © Damaso Reyes
I spent most of today wandering around the five different sites of the show with my friend Anu, who is in town from San Francisco. At least I wasn’t alone in my disbelief and disappointment. Ever since I was a fresh faced undergraduate art student in New York I had heard about Documenta, the fabulous art show held every five years in Germany which broke new ground and introduced the world to artists who would change the art scene.
Shiny art is my favorite kind. © Damaso Reyes
If Doucmenta was ever like that it certainly isn’t today.
You will respect my authority! © Damaso Reyes
If the artists weren't dead or the art wasn’t made twenty, thirty or forty years ago, then the work was almost universally bad both in execution and content. While we were walking through yet another gallery filled with pretentious post-modern art, Anu proposed the theory that the curators were displaying so much bad politically inspired art to subvert the good art that is being created and thereby reinforce what is currently popular in the art world.
Bad Art! Bad! © Damaso Reyes
I can’t say that I disagree.
Harvey Keitel makes an appearance, for no good reason. © Damaso Reyes
Of course there were some very good pieces, but they were few and far between. Anu and I were in agreement that much of the best work was by artists from the developing world. Most of the new work from American and European artists was either derivative or badly made. Most frustrating for me was the fact that there was a good deal of work by artists who were either already dead or who gained fame decades ago. The show seemed to be more of a celebration of the sixties and seventies than of work inspired by today’s world.
Finally we find something we kinda like! © Damaso Reyes
A few people seem to agree.
Compared to the giraffe, this is pure genius, don't you think? © Damaso Reyes
All of this left me with some very mixed feelings. On the one hand I feel like what is en vogue in the art world today is very different from what I am producing and that fact will make it even harder for my work to gain anything resembling acceptance. On the other hand so much of the work I saw in Kassel was God-awful that I feel like there must be space for well executed art that is rich in content.
One can only hope!
I can't believe our long national nightmare is finally over! © Damaso Reyes
| 0 trackbacks | ( 3 / 621 )