Brooklyn

Sometimes you just have to listen to the photographs.


The writing is on the wall. © Damaso Reyes

All photographs speak, the question is how well do you listen? Since I have been back in New York I have started doing yoga twice a week. I had wanted to do yoga for a couple of years now but I had always found an excuse. Now that I am cooling my heels in NYC for a while, I figured it was a good time to start.

More than anything I just want to increase my strength and flexibility. Sitting in front of the computer for hours and hours and then walking around with a heavy camera is not so good for you body, especially when you aren’t 18 years old anymore. Of course yoga also gives me time to clear my mind, which can be pretty hard at times. If you haven’t tried it I highly recommend it!

Meanwhile I finally finished editing about an hour ago! So over the next few days you will be seeing some new galleries as well as new photographs in existing galleries. You can already visit a gallery from my trip to the DKFZ here. I feel really good about this latest round of images, I hope you do too…

Brooklyn

So the scanning is done! Hold your applause because there is still editing to do but that will fly by but for no other reason than there aren’t that many images to go through. So this time next week there should be some new galleries for you to check out. In the meantime here is an image from Vienna to tide you over.


Freedom of Speech. © Damaso Reyes

So right now I am in limbo. When I was in Vienna I met someone who said that they were interested in doing some fundraising for The Europeans. Promises were made, hopes were raised and of course, much to my dismay, things didn’t work out. Perhaps it is because of my childhood on the mean streets of Brooklyn but I am not the most trusting of people. I did however make an exception in this case and my worst instincts were perversely proven correct.

Now I didn’t lose anything except some time and a little faith in my fellow human beings. But the past few weeks did reinforce something I already knew: I need money.

Now this seems obvious. But it has become increasingly clear that in order to do my project properly I need the kind of financial freedom that does not come from small grants or fellowship. I need enough money to be able to plan months in advance without having to worry if I can afford to go to point A or rent a hotel in point B.

So over the next few weeks I will be asking various people in the world of high finance and with experience in fundraising for their advice. I clearly need to take things to the next level in terms of raising money so I can buy the equipment I need as well as set up a base of operations and have just a little piece of mind. Feel free to contribute some concrete suggestions or ideas!

Until the money starts pouring in here is your HCB Quote of the Week!

There’s a particular kind of painting that is no longer practiced, that of portraiture, and there are those who say that the discovery of photography is the cause. It does seem apt to credit photography with the abandonment by painters of this painterly form. A subject wearing a military coat, a cap, and sitting on a horse can discourage even the most well-schooled painter, who feels overwhelmed by all the details of the costume. We, as photographers, are not bothered by all these details. Rather, we enjoy ourselves, because we can easily capture life in all its reality through our camera. - Henri Cartier-Bresson

Brooklyn

I have been pretty quiet, at least on the blog, the past few weeks. There’s been a lot, or not, depending on how you look at it, going on and I will fill you in on all of it in the coming days. You will be happy to know that I have started editing and scanning the last rolls I shot earlier this year both in Austria and Germany so you will have some additional images to look forward to.

I’ve received a lot of rejections in the past few weeks. The Guggenheim Foundation, NYFA and various other grants, festivals and awards have all told me NO, no thank you, not really interested. Of course rejection is part of the game but it doesn’t get easier, especially when you feel like your work is getting better and especially when they seem to come all at once, as they all too often do.

So I am trying to keeping my head up but it’s a bit hard these days. Hopefully Mr. Sun will come out from hiding next week and say hello. Until then, here is your HCB Quote of the Week!


A smoke break in Wien. © Damaso Reyes

Sharpness is a bourgeois concept. - Henri Cartier-Bresson

Brooklyn

Photography has not changed since its origin except in its technical aspects, which for me are not important. - Henri Cartier-Bresson



Dawn at Borobudur. © Damaso Reyes

Brooklyn

Photography is nothing--it's life that interests me. - Henri Cartier-Bresson


Life on Zanzibar. © Damaso Reyes

Brooklyn

So it was three years ago today that I boarded a plane form John F. Kennedy international airport here in New York and started on the long road that has become The Europeans. Three years later it is hard to believe all the people I have met and the places I have been.

What began as a dream is now reality.

As I have mentioned to some of you in private, when I began this project, when I conceived of it and when I boarded that plane I had absolutely no idea of what the images that I would take would look like. All I had was a few hundred dollars, a one way ticket, and an idea that somehow I could photograph the ways in which Europe was changing. Honestly I wasn’t even sure that my skills would be up to that task. After all, as a photojournalist my job up until then was to impart information, not make the abstract real. I wasn’t a philosopher or a historian, just a man with a camera and an idea.

The past few years have been filled with adversity. Mostly it has been a struggle with myself to live up to my own ideals and the possibilities that only hope can provide. I feel like I have taken a few good images here and there. I have certainly managed to travel, though not as much as I would have liked.

I’ve seen a new nation beginning to form in Kosovo.


© Damaso Reyes

I photographed the powerful in The Netherlands.


© Damaso Reyes

I spent most of last year in Germany.


© Damaso Reyes

I found my future home in Spain.


© Damaso Reyes

I documented passion in the United Kingdom.


© Damaso Reyes

I found beauty in France and science in Switzerland.


© Damaso Reyes

I saw how the other half lives in Austria.


© Damaso Reyes

I’ve made good friends and had good times. As I prepare to return in the coming weeks it is with the knowledge that I am on the right road, though I still don’t know where it will lead or exactly when it will end. Right now I feel like I am just starting to hit my stride…

Brooklyn

Waiting…

Sometimes it seems like that’s all we ever do.

Waiting for a call. Waiting for a check. Waiting for approval.

I’ve been doing a lot of waiting this week.

But that is what photography is all about. Waiting for the right moment. I guess I have learned that waiting can also be valuable. It gives you a chance to observe your surroundings, to think about what you are doing and why you are doing it, two things we don’t do enough of in life.

So I wait. But you don’t have to wait any longer for your HCB Quote of the Week!


Midtown Buddha. © Damaso Reyes

I find that you have to blend in like a fish in water, you have to forget yourself, you have to take your time, that's what I reproach our era for not doing. Drawing is slow, it is a meditation, but you have to know how to go slow in order to go quickly , slowness can mean splendor. - Henri Cartier-Bresson

Brooklyn

Something has been bugging me for a long time: photography contest entry fees. As an “emerging” photographer entering contests is an important part, along with applying for grants and fellowships, of getting recognition for your personal work. Often winning a major award puts you on the map (I wouldn’t know about that) and helps get you more paying work.

Some companies and organizations seem to want to take advantage of this fact. PDN is a major culprit with their Wedding Photography Contest, their Self Promo contest and many others. Recently I got very excited about the first New York Photography Festival and their awards, until I read the submissions guidelines and the $30 per photo and $90 for a series entry fees. I was similarly excited about the Berenice Abbott Prize for an Emerging Photographer until I saw the $100!!!!! entry fee. Where does an emerging photographer come up with $100 for a prize that offers a camera and a show if you win?


Where the money is... © Damaso Reyes

Now looks at Visa pour l’image or World Press, both of which don’t charge fees and the latter which offers a 10,000 euro prize for the top photo and 1,000 Euros for each of the category winners. It seems to me that the contests that charge fees are scams for suckers. Real contests find sponsors to cover their costs instead of taking money from underfunded photogs. In fact I think that a lot of these contest fees are more about making money than covering costs. If PDN would like to prove me wrong then let’s open up the books, shall we? I didn’t think so. What I do think is that photographers have to stop entering these contests and paying these fees.

That’s my rant for the week.

Brooklyn

Well the sun is shining here in New York City and I am pretty relaxed. Can’t say I have been doing too much in the way of work but that will change next week. I have quite a bit to catch up on as well as some more photos to scan and edit. So while I enjoy my weekend here is your HCB Quote of the Week!


Central Park in December.© Damaso Reyes

In photography, visual organization can stem only from a developed instinct. - Henri Cartier-Bresson

Brooklyn

One of the things that I have had to come to terms with over the past few years is the fact that I have outgrown many of my old friends. Over time people I used to be close with have just become less interesting. Character traits I used to dismiss as quirks I now see as highly irritating flaws.

My biggest pet peeve is the way that certain “friends” can’t find the time to see me or hang out when I am back in town. Now of course we are all adults and get busy, even have families so I understand when there are scheduling conflicts. But part of being a friend is making time for each other and staying in touch in general and there are more than I handful of people whom I have decided to stop being friends with because their actions show that they are not interested in prioritizing or valuing my friendship. Since I have never had very many friends this has been a hard choice but I have decided that I want to have relationships where people value me as much as I value them and show it.


The trip home. © Damaso Reyes

I haven’t shot anything since I’ve been back in town. Actually I still have a bit of material to go through but I am starting to get the itch. I am also having quite the dilemma about what digital rangefinder camera to get. I would like an M8 but don’t want to spend the $5,500 it costs for a camera that at best will be a transition piece. Also all the reported problems with it give me pause. At the same time I don’t want to carry around my SLR anymore either. What is a boy to do?

Brooklyn

It is a bit cold but the sun is shining and I am back in the city that I love with the people that I love.

It feels good!

I am very happy with the progress that I made over the past three months and I am very much looking forward to going back and doing even more. In the meantime, I have to scan and edit the remaining negatives that I shot this year (and even last year) and take care of some stuff back here at home. So, enjoy your HCB Quote of the Week!


Times Square. © Damaso Reyes

What reinforces the content of a photograph is the sense of rhythm – the relationship between shapes and values. - Henri Cartier-Bresson , Photography Year 1980, LIFE Library of Photography, Page: 25

Stuttgart

Well it’s all over!

My stay in Germany that is. I head back to NYC tomorrow and I have to say that I am very much looking forward to spending a few weeks in my hometown. Fear not, I have sixteen freshly processed rolls of film that I will edit, scan and post over the coming month so you do have something to look forward to. Bis bald!


Back to where it all began... © Damaso Reyes

Stuttgart


Expanding the frontiers of knowledge. © Damaso Reyes

Sorry for the long absence, I have spent a few days this week photographing once again at the German Cancer Research Center in Heidelberg. This time around I spent some time in several different departments including the Division of Medical Physics in Radiation Oncology, Division of Molecular Genetics and the High Resolution Optical Microscopy Research Group. Slowly but surely I am chipping away at the role of science and research in transforming Europe! Here are some photos for your viewing pleasure!


The Optical Microscopy group uses lasers to visualize the smallest parts of cells. © Damaso Reyes


Watch out! © Damaso Reyes


Different colors = different wavelengths of light and resolutions. © Damaso Reyes


Only the light of a computer monitor guides the scientists as they perform their experiments. © Damaso Reyes


A patient prepares to receive radiation therapy. © Damaso Reyes


A radiation treatment session is observed using television cameras. © Damaso Reyes


Fine German engineering at work. © Damaso Reyes


A nurse assists a patient after he receives his treatment. © Damaso Reyes


The machine shop creates many of the tools used by the radiology department. © Damaso Reyes


Boys will be boys. © Damaso Reyes

Next Friday I will leave all this behind for a few weeks and travel back to New York for some rest and relaxation. But fear not, I am plotting my return to Europe in mid-May so stay tuned for more details. In the meantime, enjoy your HCB Quote of the Week!


A lab assistant prepares genetic samples for analysis. © Damaso Reyes


Even a lab bench is a personal space. © Damaso Reyes


Just like mine at home. © Damaso Reyes

And no photographs taken with the aid of flash light, either, if only out of respect for the actual light - even when there isn't any of it. - Henri Cartier-Bresson

Stuttgart

So, finally!

As you can now see for yourself, I have updated my website with several new galleries. You can see photographs from Vienna, as well as more images of Stuttgart and Paris. You can look at more images of our friend the shepherd as well as asylum seekers in Vienna. There is still more to come but you can view much of what has been keeping me busy over the past few months. I look forward to hearing your impressions! Until then, here is your HCB Quote of the Week.


Seeking Asylum in Vienna. © Damaso Reyes

Photography is, for me, a spontaneous impulse coming from an ever attentive eye which captures the moment and its eternity. - Henri Cartier-Bresson

Stuttgart

Once again I have been spending quite a bit of time editing. A lot of you must wonder what it is all about. Well ten or twenty years ago it was all about hanging out in the darkroom and making a lot of small test prints. Today it is all about hanging out in front of the computer and looking at images in Photoshop. Hundreds of images as a matter of fact. Taking a photograph isn’t just about one single moment; it is about a series of moments. I rarely take a single image of something and then move on. I will take many variations, trying different compositions.

What you see when you are taking a photograph isn’t always what you want. Often you don’t consciously know exactly what you want out of an image. Sometimes you don’t see everything there is in the frame. So shooting three or four or five images is a way of figuring out what you want. Photojournalists are not painters; we don’t have the luxury of moving our subjects around or changing the lighting. I have to work with what I am supplied. So I try different ways of framing; I move myself around and hopefully at the end of it all there is something worthwhile. Here are a few examples of what I am talking about…



This image is okay. You get the point. There is clearly some kind of transaction going on. When I put the caption “Asylum seeker checks his mail at a NGO center” you have a clear idea of what the image is trying to communicate.



This image is a little more abstract. You see a hand, not the person; you see an ID card but not much else. This is more “artistic” but it is still pretty simplistic. One of the hardest things I have to do is to try to make the ordinary interesting. As a newspaper photographer editors always want you to make the image as clear as possible. This image is less direct but still pretty simple.



This image is getting there. It is a bit more abstract. Now the focus is on this piece of paper which in this context is very ironic. Maybe too much so. We can still tell there are people waiting for something. I actually like it a lot but it isn’t quite there.



For me this one is the keeper. There are multiple points of focus. The image is very layered, something I consider part of my style. You can also interpret it many different ways. What is the hand in the lower right trying to express? Look how the line of the desk is broken by the hands of the people waiting. This is what I like.

I try to make images that are as complex as the world that I photograph. At the same time I am trying to encapsulate what I am experiencing during the hours or days that I am shooting in a single moment. Tough job, huh?



Normally this is the image I would select. We have eye contact with the subject. But I don’t quite like the way the lines are working and I also feel like it is too direct. You look and say “oh, poor little boy.” Too easy.



Now this photo has some mystery. What is he looking at; who is he? More importantly there are more symbols here. There is the wall that he can barely see over. There is the window that allows him to look but prevents him from coming inside. This image also allows us to focus on the poster on the window which advertises one of the few jobs asylum seekers can have. Too bad there hasn’t been any snow this winter. When I was shooting this I thought that the first image would be the stronger one. Now I see that it is the second one.



I found this at a flea market in Vienna. Cool photo, very symbolic. It seems like J.F.K. is still with us. But I find this take a bit too direct. The background doesn’t really add much to it.



A bit better. I like the woman but you can’t see Kennedy any more!



Getting there, but again I feel like it is too direct.



Now we have it! Just enough of the photo is cut off to make it seem like he is rising out of the bottom of the frame. I also like the man walking toward us in the background and the tree in the middle.

As you can see editing is a very subjective process. But it is also an important part of the artistic process. You can tell more about me as a photographer by how I edit my images. How hope this gives you a better understanding of what I do and how I do it. Which photos would you have selected? I look forward to hearing your thoughts…